József
Attila
(1905-1937)
One of the greatest Hungarian poets of the 20th century, who spent his
entire life in extreme poverty and suffered from depression. Although
József poems were melancholic, they also expressed the author's faith in
life's beauty and harmony. József committed suicide at the age of 32. He
was an unyielding critic of the government in the 1930s, but his
interest in Freud and independent thinking also led to his break with
the Communist Party.
Be free to eat, drink, make love and sleep!
Weigh yourself with the universe!
I shan't hiss my inward curse to creep
and serve the base bone-crushing powers.
(from 'Ars Poetica', 1937, trans. by Michael Beevor)
Attila József was born in Budapest in one of the working-class districts
of the city. His father, an itinerant Romanian worker, left the family
when József was three, originally planning to move to the United States,
but ending finally in Romania. As a heritage his father left him the
name of the world-conquering King of the Huns, Attila. József and his
sisters were supported by their mother, a washerwoman. In 1910-12 József
spent two depressing years with his foster parents in Öcsöd, and at the
age of nine he attempted suicide. His mother died in 1919 of terminal
cancer and overwork. József's brother-in-law was appointed his legal
guardian.
Between the years 1920 and 1923 József studied at a secondary school in
Makó, without graduating. As a poet József made his debut with A SZÉPSÉG
KOLDUSA (1922), he was then 17-years old and still attending the school.
Foreword for the collection was written by the famous poet Gyula Juhász
(1883-1937). József studied privately for a year, and entered the
University of Szeged in 1924 to study Hungarian and French literature.
With the help of a mesenat, Lajos Hatvany, he acquired a good education
in Hungary, Austria (1925) and France (1926-27), whrere he studied
France and discovered the work of François Villon, the famous poet and
thief from the 15th-century.
In 1925 Jószef published his second collection of poems, NEM ÉN KIÁLTOK.
He was expelled from the university because of a revolutionary poem,
'Tiszta szível' (With a Pure Heart) - the poem was attacked by he
influential professor Antal Horger, who ended József's hopes to become a
teacher. József wrote: "I have no father, no mother, no God, no country,
no cradle, no shroud, no kisses, no love. For three days I have not
eaten, neither much nor little. My twenty years are a power, my twenty
years are for sale. If nobody wants them, the devil will buy them. I
will break in with a pure heart: if need be, I will kill someone. I
shall be seized and hanged and buried in hallowed ground, and grass that
brings death will grow over my wondrously fair heart" With his
manuscripts he traveled to Vienna, where he made a living by selling
newspapers and cleaning dormitories, and then to Paris, where he studied
at Sorbonne. During this period he read Karl Marx, whose call for
revolution appealed to him.
József's works were praised by such internationally known Hungarian
researches and critics as Béla Balázs and Görgy Lukács. In 1927 several
French magazines published József's poems. His affair with a
middle-class girl ended in his nervous breakdown. In 1927-28 he studied
at the University of Budapest, but he never finished university. After
his attack on the poet, novelist, and critic Mihály Babits in a review,
the Baumgarten Foundation withdrew its support to him, which was no
wonder because Babits was its curator. His third collection of poems,
NINCSEN APÁM SE ANYÁM, appeared in 1929, and showed the influence of
French surrealism and Endre Ady, Gyula Juhász, and Lajos Kassák. Next
year he joined the illegal Hungarian Communist Party. DÖNTSD A TOKÉT
(1931) was confiscated by the public prosecutor and in 1931 József's
essay 'Irodalom és szocializmus' led to indictment.
In 1932 appeared József's KÜLVÁROSI ÉJ, his mature collection of poems.
His most famous love poem, 'Oda', from 1933 took the reader for a
journey around and inside the body of the beloved woman. József's last
two books were MEDVETÁNC, which appeared in 1934, and NAGYON FÁJ (1936).
With these books gained a wide critical attention. Politically he has
started to advocated humane socialism, and alliance with all democratic
forces. His political essays were later included in vol. 3. of his
collected works (1958).
József had entered psychoanalysis in 1931. It inspired him to search
synthesis between Sigmund Freud's theories and Marxism, but otherwise
the psychoanalytic treatment did him no good. "See, here inside is the
suffering, / out there, sure enough, is the explanation," he wrote later
in 1934, taking distance to his own mental problems. Some of the leaders
of the Communist party started to view József with suspicion when József
advocated an united front with the social democrats - this was not
accepted by Moscow-controlled comrades. In 1933 he was expelled from the
party by Stalinists, who accused him of fascist views. On the same year
Judit Szántó became his life companion. When the Soviet Writers Congress
was arranged in Moscow, József was not invited, which embittered him
much. In 1935 he was again hospitalized for severe depression. During
his decline he wrote: "My eyes are jumping from my head. If I go crazy,
please don't hurt me. Just hold me down with your strong hands."
Probably encouraged by his psychiatrist Edit Gyömröin, József wrote the
confessional, defamatory text SZABAD-ÖTLETEK JEGYZÉKE KÉT ÜLÉSBEN. It
was partly based on his psychoanalytic treatment and not published in
Hungary until 1990s.
The can tap all my telephone calls
(when, why, to whom.)
They have a file on my dreams and plans
and on those who read them.
And who knows when they'll find
sufficient reason to dig up their files
that violate my rights.
(from 'A Breath of Air!', 1936, trans. by John Bátki)
In 1936 he was given a job as editor of the independent left-wing review
Szép szó. On January 1937 József met the author Thomas Mann, but he was
not allowed to read publicly his poem 'Thomas Mann üdvözlése,' in which
he wrote: "You know this well: the poet never lies. / The real is not
enough; through its disguise / Tell us the truth which fills the mind
with light / Because, without each other, all is night." In the summer
he was again in a hospital. However, he produced during this period some
of his best poems. József committed suicide in Balatonszárszó on
December 3, 1937 by throwing himself under a freight train. A lunatic
from the village, a sales representative, and a conductor witnessed the
accident.
"Kedvesem er osderekú, karcsú asszony,
ültem már repül ogépen, magasból o is kicsinek látszik,
de pilótalétemre is megbecsülném.
Maga mossa a ruhát, a hab álmodozva reszket karjain,
letérdel, mintha imádkonza, fölsikálja a padlót és nagyot kagac,
ha elvégezte,
kacagása mint az alma, melybe héjastul beléharap,
olyankor az is hangosan nevet (...)"
(from 'Hajnalban kel föl, mint a pékek')
The central themes in Jószef's poems are poverty, loneliness, suffering,
but on the other hand also love and hope for the more human world. In a
love poem to himself, entitled 'Attila József,' he wrote: "I really love
you, / believe me. Its something I inherited / from my mother." Evident
in his works is the influence of both Marx and Sigmund Freud. József's
works are exact in language and evocative in imagery. After WW II József
was presented with his proletarian themes as a model for young poets,
and his influence is still far-reaching.
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